I made the mistake of deciding to read all of Chapter Six, “The
Old Forest,” based on a hasty look at the page count. I need to remember that
with Tolkien, it’s not always the number of pages but how those pages are
written that determine how easily one moves forward!
It’s actually yet another sign of writing artistry when I
say that our tired little family had a challenging time making our way through the chapter
last night, because Tolkien’s densely packed prose seems to mimic the action.
We push through bushels of words: detailed, lengthy descriptions packed tightly
around only small bits of dialogue, while the four hobbits whose fortunes we
follow are trying to make their way through a dense, quiet forest that doesn’t
want them to pass through it. They literally get pushed in a direction they don’t
want to take, and end up falling under the spell of an Old Willow tree by the Withywindle River (S. loved that name…and so do I!).
As they got sleepier and sleepier, I couldn’t help thinking of the poppy field
in The Wizard of Oz, and I couldn’t help noticing that my two listening dear
ones were also getting sleepier. Of course, as difficult as their journey through the forest is, "it's nothing compared to Mirkwood!" as S. pointed out knowledgeably.
The end of the chapter does provide a wake-up call. Just
when it looks as though Pippin may be lost forever, and Merry is being dragged
underground by the Old Willow’s sentient roots (these will not be the last very
living trees we’ll encounter!) Frodo does a wonderfully wise thing. He runs
down the path shouting “Help! Help!” as loudly as he can. It seems a little
silly at first, until we realize that someone’s listening. In yet another
moment that hardly feels like a chance encounter, Tom Bombadil, that intriguing-singing-rhyming-strong-man
of the forest, shows up and rescues both Merry and Pippin.
Frodo is generally such a mild and quiet character that I
almost overlook him, even though he is the protagonist of much of this epic. Other
people jump off the page as greater and more obvious heroes. When I think of
Frodo, I tend to think of patience and long-suffering, qualities he shows
deeply as the narrative progresses. But this time through Fellowship, I am
finding myself drawn to elements of his personality that I’m not sure I’ve
consciously pondered before. I love his willingness to ask for and accept help.
I love it that he looks for help outside of himself even when it looks as
though there’s no help to be found. And lo and behold! It turns out that there
is help of a very real kind.
The Old Forest seems a bit like the Forbidden Forest, with its very palpable sense of hostility. (But thankfully not so overrun with spiders as Mirkwood!) Old Man Willow also puts me in mind of the Whomping Willow. I'm glad we have friendlier trees to meet later on!
ReplyDeleteFrodo's a bit like Harry, isn't he, casting his Patronus in times of danger? He awaits a deliverer, and he is rarely disappointed. Tom Bombadil is a nice indication that the wilderness isn't all hostile; he seems synonymous with the woods, and while he is certainly wild and unpredictable, there is great benevolence there. A shame he's often the first character to go in adaptations, but he certainly is a rather anomalous part of the tale...
Yes! We thought of the Forbidden Forest connection too! I think it's Merry or Pippin who mentions all the "wild things" people talk about in connection with the forest...it made me think of Draco, actually. ;-)
ReplyDeleteI like the Frodo/Harry connection. I think it works on lots of levels!